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海上的日子——澳門後牛房實驗場駐留兩周隨筆
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實踐中的幽靈——從臨時藝術社區到一個人的社會(節選)
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淺談廣深珠實驗藝術:空間、觀念、田野
文:何俊彥 想象的空間、構思的概念 大約在十年前我開始在西方學習現當代藝術。包括藝術史和藝術創作原理,主要是在學院和美術館機構裏學習。2009年參觀威尼斯雙年展,在主展場Giadini(花園)我發現了一件令人印象深刻的作品:由一些簡易木框架搭建的開放「房子」,用一些中國工地...
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